Migration for Mimi this march the barn swallows will return packing their mud nest under the eaves gold-chested they dash among the limbs of an oak tree, fork tails splitting the sky whistle & click their little song transports me back to my grandmother’s backyard filled with treasures, lawn ornaments that turn in the breeze, painted tin statues & stained glass each shape kaleidescoped onto the lawn where I catch every color in my open hand the many birdhouses that hang from branches some propped up on poles or tied to the fence she made a home of her home for back-alley creatures, the clever tabby slipping into the yard rubbing his face against her ankle, the midnight screech-owl picking beetles from the damp soil the opossum with babies holding tight to her silvered back, there was no way for me to know that my grandmother would take herself out of this world – a creation in reverse, hushed quickly away from all of us like flowers pressed into a book because I still can’t bear to think of her in early spring putting a finger on that cold trigger while the swallows pulled themselves mile after mile a thousand wings beating above the endless waves breaking open across the gulf
***
You Can See it in the Roses
after crawling my way
through a string of college bars
in the pit of a Texas summer
I fell heavy on my bed
the night whirring silent
like a record after the final track
taste of mint liqueur still
sleeping on my tongue
I first heard it like a siren’s song
calling from the cabinet
an almost full bottle of pills
leftover from dental surgery
when they plucked out my molars
stubborn bone buried under flesh
I read somewhere they use forceps
the same tool for childbirth
pearly babies clinking
in a bright silver pan
but what’s left after healing –
only these chalky tablets
the squat orange bottle
singing its sour tune in my ear
down down one by one
they slipped into me
the doctor would later ask
why did you take all of them
circling in her white coat & me
dressed in a gown as if for baptism –
& hadn’t I been born once more?
emerging from the dark of a drug-induced
sleep my mother shaking me to life
as I whispered through the fog
I’m sorry I’m sorry I’m sorry
now the colored Dixie cup
of charcoal sludge working
its way down my throat like gravel
I don’t remember all the questions
just the way the hospital lights
made squares on the inside of my eyelids
& we’re not going to let you leave just yet
while I slept I dreamt of roses how
they plant the bushes in vineyards
bright punctuation at each end
delicate vine coiled with vine
the blooms will wither first
a canary in the coalmine
before the black rot
works its way to the grapes
it’s true no one saw the roses
sagging dark with ruin
each spoiled end of me
screaming its silent decay
& I didn’t know eight years
later my grandmother
would hear that same song
calling to her from the closet
the steel-gray body of a .38
and now I’m certain there are no
roses – there were never roses
just the naked fruit exposed
holding tight to the very
thing that kills it
***
Abecedarian for Year One
at midnight she ferried her way to us
bursting red-faced into my arms
count her fingers count her toes
do you feel the shift, the way
earth sings at her arrival
fixed upon my chest wingless
glimmering still from the journey
her quiet washes over me
incandescent our bodies burn
just as a candle lights another candle
kissing two flames into one
learning in this moment to live
mostly outside of myself
now the heart splits
one part is still mine and the other
patters through the house
quick feet of the toddler she is today
reaching out with her child’s hands
speaking her lyrical language
too many firsts & too many lasts
unsung are the many purple mornings
velvet head of hair in my lap
where like that first shared embrace
xanadu in its otherworldliness
you blazed your way here from the dark
zenith of my life, & my becoming




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