Recent posts
Rumpus Articles
Red as in: Dawn Lundy Martin’s Instructions for the Lovers
Perhaps like a phoenix, Martin maintains such a commanding presence throughout the book because she has endured the sacrificial fire of being a poet, the necessary self-immolation.
The Persistence of Enchantment: A Conversation with Sofia Samatar
To me, the difference between invisibility and opacity is the difference between being misread and being granted a quality of privacy that is a fundamental part of being a human among other humans.
The Knock at the Door
Maybe it was not such an obstacle after all, if it was going to save our lives one day. This is how my brain came to be rewired.
A Meditation on Magical Girls: Park Seolyeon’s A Magical Girl Retires
Park is not being cheeky. Rather, she’s taking a power that has lived in the hearts and minds of so many young people and propelling the magical girl genre into an entirely new dimension.
Parallel Practice: Story at the End of My Fist
I will throw a lot of punches. Thousands. Hurl my fist. Aim for the target. Do it over and over. Fail.
Rumpus Original Poetry: Four Poems by Michael Chang
as catwoman took off in a cemetery in queens / overturning headstones we hear great news
The First Book: Yasmin Zaher
If I thought too much about audience, or audiences, I think I would encounter too many opposing demands and the writing would end up average.
The Astonishing Power of African Poetry: A Review of New-Generation African Poets (Kumi)
Featuring gifted emerging poets from Ghana, Nigeria and South Africa . . . Kumi is a final tribute to a visionary and valuable investment in African poetry.
Narco-poetics and the Voice of Recovery: A Conversation with Azad Ashim Sharma
Hope stems in the imagination, in our capacity to re-imagine how life on this finite planet could coexist with non-human life and the cycles of shift that give us a cool summer breeze and the hurricane.
Voices on Addiction: Fifteen Places
She is refusing; she is refusing me. I am not a mother; I don’t feel like a mother.