Evan S. Connell’s Mr. Bridge—a companion piece to his earlier novel, Mrs. Bridge—offers a rare sort of company. And it’s unexpected company: Its protagonist, after all, is a tacitly-but-virulently xenophobic,…
“Absent characters often hover around the edges of these stories. Children long for dead parents; husbands deceased, divorced, or ignored wander in and out of thoughts. Creatures both real and…
Why do so many of us, as readers or maybe as a society, assume that originality springs forth out of nothing, although at the same time we understand that every idea, every story, has a precedent?
The American Scholar posted a fascinating (and a bit depressing) article by William J. Quirk called “Living on $500,000 a Year.” The article is about F. Scott Fitzgerald’s tax returns,…
Reversal: Senate Majority Leader Harry Reid pushes for a public option, but one that comes with an escape hatch. Leadership, progressives, and advocacy groups get behind the opt-out plan after…
Kevin Van Aelst uses house-hold objects to illustrate scientific principles. Silly beautiful things. Also: pantone staircase. Are you a woman trying to make it in the criminal underground? You should…
When asked why I publish what I publish, I often reply—I publish in order to understand why I published. Until a book goes out into the world to be engaged…
Ed Ruscha, photographer of twenty-six affectless Standard gas stations in LA, Every Building on the Sunset Strip, and painter of words floating in space, with or without a setting, is…