The Rumpus Long Interview with Michael Uslan
Comics and movies with the man who has owned the film rights to Batman for thirty years.
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Rumpus Articles
The Last Book I Loved: Isaac Fitzgerald, the first half of The Night of the Gun
That’s not to say I didn’t like the second half of the book, where David Carr gets his life back on track and ends up working as a writer for…
FUNNY AMERICA: The Baby Steps Blues
Excuse me, but I got a couple of questions. What’s the damn deal? The hell happened? Am I missing something? I mean, come on, Barack Obama assumed office almost two…
Jonathan Kiefer: The Last Book I Loved, What’s Not to Love?
Sometimes I like to make myself depressed by reading other writers named Jonathan who are better than me. Lately it’s been a lot of fun/shame, what with Lethem and Franzen…
Ainsley Drew: The Last Book I Loved, Back to Basics
Barefoot Contessa: Back To Basics. My version of cooking usually involves a box, water, and a microwave, but Ina Garten breaks it down in a way that even culinary Tripp…
The Rumpus Interview with Mary Rosenberg
Five years ago, a new poetry contest entered the scene with relatively little fanfare.
Poetic Lives Online: Links by Brian Spears
Congratulations to Juan Felipe Herrera and August Kleinzahler on their shared National Book Critics Circle Award in Poetry for 2008. Barbara Jane Reyes has more on Herrera. Ron Silliman on…
Ariane Conrad: The Last Book I Loved, The Emperor of Scent
The Emperor of Scent, by Chandler Burr. Luscious writing from Burr, and an outstanding lead in Luca Turin as he’s caught in the intrigues of the perfume industry and scientific…
Pasties and Pastries
Oh, I wish I were in Austin for SXSW’s Pasties and Pastries cupcake and boobie show.
Saturday Morning Links
Toilet-shaped plates with food presented as excrement. Sweet! Ever find yourself at a diner at three in the morning, the drunk hungries kicking your ass and your waffle/hash brown/extra bacon…
Welcome to Rumpus Books
At The Rumpus, we believe that a healthy literary culture is one which embraces writing of all kinds, by authors of all stripes – young and old, established and emerging, traditional and experimental, writing from the margins or from (or about) the heart of mainstream culture, published by “major” houses or by smaller presses.