“Can we separate the art from the artist?” If you’re like me, you’ve been in more than a few versions of this particular conversation. You could even, at this point…
embracing ambivalence, returning to one's hometown and the musings it inspires during a time of collective dread, a canine writing team, and the power of imagination
The Hurting Kind’s epigraph, a quote from Argentine poet Alejandra Pizarnik [implores] us to “Sing as if nothing were wrong. / Nothing is wrong.” When we read Limón, we can almost believe that.
I've been drawing the figure alone in interiors for a long time, and when the lockdown happened, my work blew up. I recognized, “Oh, suddenly everyone's depressed at the same time.”