Alex Norcia is a writer living in Brooklyn. His work has appeared, or is forthcoming, in VICE, The Millions, McSweeney's Internet Tendency, Electric Literature, Word Riot, and the Los Angeles Review of Books, among others. He is an editor-at-large at The Offing.
Invoking his new play, Buzz, Benjamin Kunkel writes in the New Yorker about how “few imaginative writers have dealt with the present-day experience of global warming in a direct and…
For The Millions, Jonathan Russell Clark draws quotes from a number of writing books—among them, Stephen King’s On Writing and Jane Smiley’s 13 Ways of Looking at a Novel—and creates…
At Salon, Emily Gould responds to Matt Yglesias’s Vox piece on Amazon, emphasizing his weakest point (“Amazon faces lots of competition”), while also acknowledging that his criticism of the publishing…
For The Baffler, Kurt Newman analyzes Tom DeMarco’s 1997 novel, The Deadline: A Novel of Project Management, comparing the work to that of the Marquis de Sade and explaining why a…
Coupled with anecdotes, Bob Eckstein has drawings of New York City bookstores (those that are “thriving,” or “shuttering,” or “just happy memories”) up at the New Yorker.
For the Atlantic’s “By Heart” series, Vikram Chandra discusses the influence of Ernest Hemingway’s “The Snows of Kilimanjaro,” highlighting what makes for good “minimalism”: It’s not about what you say.…
Reflecting on what might become of Roberto Bolaño, and his fame, John Yargo covers two biographies of the Chilean writer for the Los Angeles Review of Books, noting that these…
For the New Yorker, Jon Michaud reveals how S.E. Hinton’s The Outsiders, a staple in middle school and high school classes, came to define the young adult genre: “The Outsiders…
At The Millions, Darcey Steinke gives an elegy for her Southern hero, Barry Hannah. She recalls their first interaction—when he called her to say a New Yorker review of her…