Bryan Washington has written for Puerto Del Sol, Ninth Letter, and Midnight Breakfast, among others; he's also the recipient of a Houstonia Fellowship. He lives around New Orleans.
At NYT Magazine, Maggie Jones profiles an entire generation: the South Korean adoptees making the trek back “home.” But having spent their lives abroad, where “home” is becomes a tough question…
Last week we highlighted Rachel Kaadzhi Ghansah’s piece, “A River Runs Through It,” over at The Believer. Now, she shares a playlist of tunes, recorded at Electric Lady Studios, to accompany the…
Over at Gawker, Jason Parham leads us to an extremely long and incredibly detailed interview with Junot Diaz: “When as a young person you lose all your bearings, all your…
Michael Chabon has a short story over on Tablet; in it, he negotiates the acquaintance of a boy and his crippled neighbor: There was no menace or queerness in his…
Over at Vice, Eric Nusbaum chronicles the life of Padre Fray Tormenta, Texcoco’s resident addict turned priest turned interim luchador enmascarado: In theory, a priest wearing a lucha libre mask…
A decade ago, Rachel Kaadzi Ghansah stopped by Electric Lady Studios; ten years later, she’s writing about it for The Believer: Maybe that’s why it’s difficult not to feel sentimental,…
In the wake of D’Angelo’s Black Messiah, Dan Piepenbring waxes poetic on R&B groups, the state of the genre, and how, when it comes down to it, the swinging feel…
Over at The Awl, Josephine Livingstone treats us to poetics on the colorful sounds of precipitation: Actual rain falling on my urban windows was, however, just too good to miss.…
Michael J. Gaynor visits Green Bank, the West Virginian town without wi-fi: In Green Bank, you can’t make a call on your cell phone, and you can’t text on it,…
For The Independent, Cahal Milmo pens a profile on Marsha Mehran, bestselling author, noted beauty, and adamant recluse. Spending her time between exile and literature, Mehran championed her work—compulsively, mordantly—above…
As the associate art director at Knopf, Chip Kidd’s the man when it comes to book covers. Over at the New Yorker, Ronald Kelts looks at Kidd’s latest project, Haruki…
Adam Rogers takes a JoCo cruise for Wired, where he combats 800 sea monkeys, rabid claustrophobia, hot tub office-hours, and a re-working of Queen’s “Bohemian Rhapsody” to the tune of…