Carrie Chappell is originally from Birmingham, Alabama. She received her Master of Fine Arts in Creative Writing from the University of New Orleans’ Creative Writing Workshop. Her poetry has appeared in Anastamos, Blue Mesa Review, CALAMITY, Cimarron Review, Cream City Review, FORTH Magazine, Harpur Palate, Juked, Pittsburgh Poetry Review, and The Volta. Her essays have been published in The Collagist, Diagram, FANZINE, The Iowa Review, Xavier Review, and Buried Letter Press. Each April she curates the Verse of April project, a digital anthology of homage to the poets. Currently, she serves as Poetry Editor for Sundog Lit and lives in Paris, France.
John Maus converses with BOMBLOG about his recently released album. Topics include utopia, isolation and collaboration, the “language of pop,” lyrics as an afterthought, gender as an effect of language,…
Atlantis just returned from its last mission and here we are with our feet firmly on the ground. But surely there is an alternative to NASA. For inspiration into space…
“It could happen again…” There is some evidence that the onset of the end-Triassic mass extinction—which occurred 200 million years ago and wiped out at least half of all living…
Catch-22 turns 50 today. What better way to celebrate than perusing this article. It discusses why the novel has inspired such “divergent” reactions. In teasing out the reasons, the article…
What does luck have to do with memory? The connection is drawn in this Millions essay, which tackles the role of memory in the life of the reader–a rather comforting…
This Guardian article reflects upon author Iain Sinclair and his relationship with London. In response to his new book Ghost Milk, the article argues that the saving grace—and brilliance—of the…
Have we been overlooking sound symbolism? Recent studies have shown that humans connect certain sounds with sensory perceptions and thus, the sound of a word could hint at its meaning.…
Two poets respond to the Morgan Library’s Lists exhibit. Through their exploration of the myriad mediums and styles of listing, they establish, describe, and illustrate four categories of “listers:” crosser-offers,…
A new opportunity is available for adults seeking to mix up their nightly routine. As part of her current project “Here is Where We Meet,” artist, writer and educator, Madhu…
“One of the things that has seduced people into giving up on their own actions is the claim of emergency—the government will often make the spurious claim that because certain…
Interrogating the reluctance to further qualify crime writing, this Millions piece hones in on Megan Abbott. The essay explores Abbott’s protagonists, prose, and grasp of the human condition, arguing, “If…
Perhaps you have thought about what you would take and where you would go if forced to flee the country because of your communist beliefs? In honor of Pablo Neruda’s…