Elissa Bassist edits the Funny Women column. She teaches humor writing at The New School and Catapult. Follow her on Twitter, and visit elissabassist.com for more literary, feminist, and personal criticism.
“I am writing an ‘important’ memoir about not being able to write an important memoir. It winds up being kind of a novel-length comedic essay on insecurity and procrastination.”
Publishing is failing us, and it is failing. The lamentable irony is that its foundation rests upon satisfying readers by assuming we’d like to read whatever crap is one level…
Rodrigo Corral Design offers one reason we shouldn’t lose print media. These books, these beautiful, vibrant, resplendent books, remind us what it feels like to be human, to interact directly…
Q: How Do You Crank Up to Write? A: “Discipline.” John Updike did it all the time, Richard Ford did it early in the morning, Nathaniel Hawthorne did it nonstop,…
Jon Adams, author of the Truth Serum books, presents City Cyclops, “the only comics in the world that will make you forget about your mom’s new boyfriend.” Perfect. The comics…
“As the privatization and patenting of scientific knowledge rapidly grows, overall scientific literacy continues to be very low,” claims The Small Science Collective. The SSC and and its Blog Sister…
“Like most North Americans of his generation, Hal tends to know way less about why he feels certain ways about the objects and pursuits he’s devoted to than he does…
The Warwick Prize for Writing is an “innovative new literature prize that involves global competition, and crosses all disciplines. The Prize will be given biennially for an excellent and substantial…
The Shouts & Murmurs section of the New Yorker is reliably witty, wry, and short. For some, it is the pre-game to reading the magazine, and for others, the best…
“The End of Solitude” by William Deresiewicz begins with the question, “What does the contemporary self want?” He answers after two sentences: “Celebrity and connectivity are both ways of becoming…