Lucky Lethem
On the other hand, hey, I’m 50. This is the third time I’ve gathered a decade’s stories. Let’s be clear about how much such introspection matters to the reader who’s…
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Guia Cortassa
474 posts
Guia Cortassa was born, lives, and works in Milan, Italy. After working as a Contemporary Art curator, she went back to writing. She is a contributing editor for Ondarock and her writing has appeared on Rivista Studio, Flair and the Quietus. She compulsively tweets @gcmorvern.
A Life in Books
Often I wouldn’t be able to keep up, like with Dostoevsky’s The Idiot, but it made it feel like a whole new world of books had been opened up to…
Gambling on an MFA
There is a certain writerly allure to casino gambling that I find difficult to resist — or perhaps I should call it a not writing allure. Having a crowd chant…
A Southern Northerner
Through the South, I tried to make sense of what seemed similarly wrong with the North. Over at BuzzFeed Books, James Hannaham explains why he decided to be a “Southern…
Similes for Sale
You could spend hours being creative and find out that half of your ideas are on the Internet already. So why bother pursuing new ideas when I can sell you…
An “I” for an “I”
For a growing number of essayists, memoirists, and other wielders of the unwieldy “I,” confessional has become an unwelcome label—an implicit accusation of excessive self-absorption, of writing not just about…
True Detective
Voltaire became steeped in the country’s rules of criminal procedure, a labyrinth he found appalling: “As there are half-proofs, that is to say, half-truths, it is clear that there are…
The Art of Literature
Literature often depends on the strategic disappointment of expectation. Sometimes, the effect of that is humorous; at other times, it’s unnerving: I consider it crucial to the composition of a…
Click Here to Read
The form is far more important than the content. They don’t even really have to match. If you’re talking about an author people are a little less familiar with, you’ll…
Learning While Teaching
I went to university in 1964, a different era, when very few of us, around 5 per cent of the population, had the chance. We were undoubtedly a lucky generation.…
Call Me Friend
Patrick James Dunagan explores the human and professional relationship between Herman Melville and Nathaniel Hawthorne in a review of Erik Hage’s book on the subject over at Bookslut: Hawthorne inspired and…
Sappho, Who?
The greatest problem for Sappho studies is that there’s so little Sappho to study. It would be hard to think of another poet whose status is so disproportionate to the…
