The Limits of Extreme Beauty: Nicolas Winding Refn and Neon Demon
Daylight here burns up the atmosphere. The dawn of a new day is, in fact, the end of everything.
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Jeffrey Edalatpour
7 posts
Jeffrey Edalatpour's first published article was a 1999 film review of Pedro Almodovar’s All About My Mother. Since then, his writing about arts, food, and culture has appeared in a variety of print and online publications, including KQED Arts, Metro Silicon Valley, Interview Magazine, Berkeleyside.com, The Rumpus, and SF Weekly. His favorite Iris Murdoch novels (in no particular order) are The Bell, An Unofficial Rose, and The Black Prince. In other words, his home library is an anglophile’s dream. You can find him on Twitter at @jsedalatpour.
The Rumpus Review of Howl
Howl is neither a biopic about the poem’s author Allen Ginsberg (1926-1997), nor does it delve into any other poem in his literary oeuvre. These are the first of many…
Now Playing: Let It Rain
Agnés Jaoui directed her sublime first film The Taste of Others (Le goût des autres) in 2000, and received an Oscar nomination for Best Foreign Language film in the process.…
The Rumpus Interview with Atom Egoyan: Chloe
Hiring a prostitute to relate to you the nature of how your husband behaves is asking for, not proof of an affair, but an erotic retelling of a person you…
The Rumpus Review of The Girl With The Dragon Tattoo
My name is Jeff and I’m an addict. My drug of choice: Swedish detective fiction.
The Rumpus Review of The White Ribbon
Haneke breathes an unholy life into the generation of children who would grow up to become the obedient soldiers and members of the Nazi party, indirectly asking: What was the…
The Rumpus Review of Broken Embraces
The plot reveals an intricate maze, in which all of the characters find themselves intimately connected, but no one in the story emerges from this labyrinth unscathed. When your lover…