Jessie Glenn is an essayist primarily focused on parenting and taboo. Their exposé about MasterChef was "Best of 2018" in Salon Magazine. They’ve also had essays in NYT Modern Love, Washington Post, Cleaver, Toronto Star, and elsewhere. They are currently writing a memoir. Glenn teaches book publicity at Portland State University in the Master’s of Publishing Program. Jessie and spouse have a blended family with five children.
Over at Guernica, Katrina Dodson interviews Ann Goldstein, Elena Ferrante’s translator, about the mysterious Italian writer, the final Neapolitan novel, and the meaning of life: Whether you’re a writer or…
After I wrote Pity, I assumed only women would read it and men would mock even the idea of it. I think this lazy premonition was a result of receiving…
The late David Bowie was a great inspiration for many different authors. Over at Electric Literature, some of them—including Aleksander Hemon, Porochista Khakpour, Ru Freeman, Amber Sparks, and Marie-Helene Bertino—reveal how the…
Over at the New Yorker, Ottessa Moshfegh has a new short story, “The Beach Boy.” Moshfegh also sat down with Deborah Treisman to talk further about her writing: Isn’t it hilarious when people are…
Surely one of the healthier ironies of the United States is that its finest postwar novelist was an illegal immigrant from Canada. At The Daily Beast, Michael Weiss writes a…
How does an essay comes to its final shape? What’s the morphology of nonfiction’s popular form? Over at the Ploughshares blog, E. V. De Cleyre dissects works by Ander Monson, Claudia…
Of all possible women characters, how did I ever end up writing about an actress? Having spent two decades making films and art about women’s experiences from a feminist perspective,…
I write historical fiction. Some consider this an outré craft. If literary fiction is Brooklyn, the historical novel is Queens. Over at the New York Times’s Sunday Book Review, Geraldine…