Jessie Glenn is an essayist primarily focused on parenting and taboo. Their exposé about MasterChef was "Best of 2018" in Salon Magazine. They’ve also had essays in NYT Modern Love, Washington Post, Cleaver, Toronto Star, and elsewhere. They are currently writing a memoir. Glenn teaches book publicity at Portland State University in the Master’s of Publishing Program. Jessie and spouse have a blended family with five children.
Authors, editors, and publishers make New Year’s resolutions, too. Head over to Electric Literature to discover what, among others, Emily Gould, Catherine Lacey, Mitchell S. Jackson, Lincoln Michel, Alex Gilvarry, and…
The Millions has just released its annual overview of what the first half of 2015 will offer when it comes to new literature. “[A]t 9,000 words strong and encompassing 91 titles,”…
Sometimes we forget that many of the books and plays we know so very well are set during holiday festivities. Over at the Ploughshares blog, Annie Cardi reminds us of…
This is the Plath poem I relate the most to shavasana. You sink down, you bubble back up. The Duchess of Nothing in yoga pants. For Carrie Frye, yoga practice…
Any author writing about contemporary experience in their own country can be seen as providing some kind of historical record. Modiano, however, goes further. His oeuvre – upward of twenty…
My heart pounded and my breath choked in my windpipe. I had stumbled on an accidental mention of a totally unfamiliar race. Obviously non-Terrestrial. Yet, to the characters in the…
All of that is to say that because Tom Wolfe and because James Baldwin and Hunter S. Thompson and Michael Herr, but because Didion most of all, an American essay…
To an outside observer, it might appear that my father approached death the same way he did life: With a heavy hand and a critical gaze. It may seem like…
The problem with unreliable narrators — and the thing that makes them so delightful to read in fiction — is that by design, you never quite know when they are…
Time and again we hear about a new desire for the real, about a realism which is realistic set against an avant-garde which isn’t, and so on. In his new…
Fittingly ending the memoir with a scene at the La Brea Tar Pits, which trapped and fossilized the unfortunate prehistoric creatures who wandered into them, Ortiz speaks of her personal…