An Inconvenient Fiction
Invoking his new play, Buzz, Benjamin Kunkel writes in the New Yorker about how “few imaginative writers have dealt with the present-day experience of global warming in a direct and…
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Alex Norcia
165 posts
Kristen Millares Young is a book critic, essayist, and author of the novel Subduction, named a staff pick by The Paris Review. Winner of Nautilus and IPPY awards, Subduction was a finalist for two International Latino Book Awards and Foreword Indies Book of the Year. Her essays and reviews appear in the Washington Post, the Guardian, Literary Hub, PANK Magazine, and the anthologies Advanced Creative Nonfiction, Latina Outsiders, and Alone Together. A former Hugo House Prose Writer-in-Residence, she is the editor of Seismic, a Washington State Book Award finalist. Kristen was the researcher for the New York Times team that produced “Snow Fall,” which won a Pulitzer Prize. She was the 2023 Distinguished Visiting Writer for Seattle University. @kristenmillares
300,000,000 by Blake Butler
Alex Norcia reviews 300,000,000 by Blake Butler today in Rumpus Books.
A Symposium on Dialogue
For The Millions, Jonathan Russell Clark draws quotes from a number of writing books—among them, Stephen King’s On Writing and Jane Smiley’s 13 Ways of Looking at a Novel—and creates…
Taylor Swift’s White Noise
Nothing much more needs to be said: At the Atlantic, “the author of White Noise reviews Taylor Swift’s white noise.”
Amazon’s Competition
At Salon, Emily Gould responds to Matt Yglesias’s Vox piece on Amazon, emphasizing his weakest point (“Amazon faces lots of competition”), while also acknowledging that his criticism of the publishing…
The Marquis de Sade’s Executive MBA
For The Baffler, Kurt Newman analyzes Tom DeMarco’s 1997 novel, The Deadline: A Novel of Project Management, comparing the work to that of the Marquis de Sade and explaining why a…
New Yorker Cartoons That Aren’t Cats & Dogs
Coupled with anecdotes, Bob Eckstein has drawings of New York City bookstores (those that are “thriving,” or “shuttering,” or “just happy memories”) up at the New Yorker.
Realism is a Figure of Speech
For the Atlantic’s “By Heart” series, Vikram Chandra discusses the influence of Ernest Hemingway’s “The Snows of Kilimanjaro,” highlighting what makes for good “minimalism”: It’s not about what you say.…
Can Literature Improve Your Life?
Electric Literature features a video from The School of Life that addresses some ways literature can improve your life.
Fame and Literature, Irreconcilable Enemies
Reflecting on what might become of Roberto Bolaño, and his fame, John Yargo covers two biographies of the Chilean writer for the Los Angeles Review of Books, noting that these…
The Birth of the Young Adult
For the New Yorker, Jon Michaud reveals how S.E. Hinton’s The Outsiders, a staple in middle school and high school classes, came to define the young adult genre: “The Outsiders…
I’d Rather Be Reading Airships
At The Millions, Darcey Steinke gives an elegy for her Southern hero, Barry Hannah. She recalls their first interaction—when he called her to say a New Yorker review of her…