Laura Bogart is a featured writer at The Week and a contributing editor to DAME magazine. She was a featured writer at Salon, where her essays about body image, dating, politics, and violence went viral—her pieces were regularly recognized as Editor's Choice. She has written about pop culture, often through the perspective of gender, for The Atlantic, The Guardian, SPIN, The Rumpus, Vulture, Roger Ebert, The AV Club, and Refinery 29, among other publications. She has been nominated for the Pushcart Prize and received the Grace Paley Fellowship from the Juniper Institute at UMass Amherst. Laura has been interviewed about body size and pop culture for NPR outlets.
A dizzying blitz of descriptors surrounds Katheryn Bigelow’s Zero Dark Thirty: pro-torture, anti-torture; anti-Bush, pro-Obama; mindlessly jingoistic, nuanced in its critique of American exceptionalism.
The finest moment in Steven Soderbergh’s Haywire isn’t one of its pyrotechnic fight scenes; it’s a facial expression. Shock hopscotches into fear before easing into awe as John Kane (Bill…
Beneath Shame’s veneer of soulless chic and artful grit, there’s an urgency that’s like an infant’s cry: blunt yet piercing, aware only of its own pain.