Lauren Eggert-Crowe is the author of two poetry chapbooks: The Exhibit (Hyacinth Girl Press, 2013) and In the Songbird Laboratory (Dancing Girl Press, 2013). She is a contributing editor for TROP and a regular contributor to Midnight Mixologist. Her writing has appeared in Salon, L.A. Review of Books, The Millions, The Nervous Breakdown, Midnight Breakfast, and many poetry journals. She tweets at @laureggertcrowe.
Francesca Lia Block discusses her passion for writing twenty-five years after her iconic debut, Weetzie Bat, her propensity for hypergraphia, and the value of a supportive editor.
Writer and Rumpus columnist Peter Orner chats about compression in his work, the reappearance of characters, self-deception, and the stories we hold close.
What did I turn to when I needed to channel my frustration with this corporatized Republican state against which I could only kick my small angry feet? The music of Gen-Xers from another country.
Matthew Specktor spent the better part of a year writing one of the most captivating novels about Los Angeles that I’ve read. I know I’m not alone in this assessment.
Mark O'Connell, author of the first original e-book from The Millions, talks about why he is interested in and troubled by what he calls this “frictionless sharing and flattening of affect,” particularly when it comes to what Internet inside jokes have nicknamed Epic Fails.
Kate Durbin's poetry and performance art focus on female archetypes like princesses, witches, and pop stars. She dives into the cesspools of modern culture without shame, resurfacing to present us with glittering treasures from the depths.