Lincoln Michel‘s fiction has appeared in Granta, Oxford American, Tin House, NOON, Pushcart Prize anthology, and elsewhere. His essays and criticism have appeared in the New York Times, The Believer, Bookforum, Buzzfeed, VICE, the Paris Review Daily, and elsewhere. He is the former editor-in-chief of Electric Literature and a founding editor of Gigantic. He is the co-editor of Gigantic Worlds, an anthology of science flash fiction, and Tiny Crimes, an anthology of flash noir. His debut story collection, Upright Beasts, was published by Coffee House Press in 2015. He teaches fiction writing at Sarah Lawrence College. He was born in Virginia and lives in Brooklyn. He tweets at @thelincoln.
Professor John Michael Bailey at Northwestern conducted an optional sex toy presentation in one of his classes last week. Per the Daily Northwestern, “The … presentation last Monday, attended by…
“A few months ago, an editor at a small literary magazine offered a polite and encouraging email rejection of a story of mine titled, “Pipe.” A child-narrated, first-person story, the…
On Dr. Seuss’s racism (and rap skills.) (via @maudnewton) At Bookslut, “Twenty-Three Short Thoughts About Women And Criticism” Behind on your lit mags? At Luna Park, here are some things…
Here’s some very short essays I like. Reading them will be much better than watching the Oscars, I promise. “The first thing I learned about Jacques Cousteau was a lie.…
“On the face of it, you might think that this relatively new, rapidly developing art form would be exciting and fertile territory for authors. There’s scope for experimentation in the…
“The story is simple enough for a young audience (age 4-6), cute, and shows a grasp of the language much better than I would expect from one of today’s high…
This is why your used bookstore clerk hates you. (via @boingboing) A hilarious and smart discussion on Exley’s A Fan’s Notes at the Atticus Press blog. I met these Atticus…