Michael Copperman's work has appeared in The Sun, The Oxford-American, Guernica, Creative Nonfiction, and Triquarterly Online, and garnered fellowships and awards from the Munster Literature Center, the Oregon Arts Commission, Literary Arts, and Bread Loaf Writer's Conference. His memoir about teaching in the rural black public schools of the Mississippi Delta, Faces Bright, Voices Loud, is forthcoming from University Press of Mississippi.
I know I don’t truly understand what blood money really means, or what it is to offer up the vein, to be willing to give anything just to get by, but I have learned this: just because a story has utility doesn’t mean it’s false.
If you took the love child of Dylan and Patti Smith, conceived under a full moon with Waits howling somewhere out of sight, and raised him to twenty-four in a…