Michelle Vider is a writer based in Philadelphia. Her work has appeared/is forthcoming in The Toast, Lady Churchill’s Rosebud Wristlet, Atlas and Alice, Baldhip Magazine, and others. Find her at michellevider.com or @meanchelled.
For JSTOR Daily, Allana Mayer writes about what it means to master visual literacy. Mayer specifically addresses the idea that libraries and galleries digitizing their content will instantly make people…
Marjorie Sandor writes for the Masters Review on the art of writing the uncanny. Sandor explores the 19th century origins of the word, whose use in literature seemed to address…
Ben Mauk interviews Pinar Yoldas for Guernica about her ecological-themed visual art, part of a style Yoldas has dubbed “eco-futurist” (rather than the more current trend of “cli-fi” art). Where…
For Hyperallergic, Allison Meier takes a look at the image management of Louis XIV’s reign as told through the medium of elaborate and intricate medals that traveled across late 17th…
Travis McDade writes for Lit Hub on the theft of primary source documents from libraries and how the precarious state of our archives affects our nonfiction narratives and memory.
For The Awl, Sam Stecklow writes a detailed history of the Chicago Sun-Times‘s recent structural and cultural shift from a “gritty, urban, crime and fire and investigation daily newspaper” to…
In the distance between me and the story, I can see all the ways I would have to change without technology, because of all the ways technology has already changed me.
For the Los Angeles Review of Books, Larry S. McGrath writes about the growing role of neuroscience in writing new historical narratives. McGrath frames this discussion in a review of…
At Notches, a peer-reviewed blog on history and sexuality, Robert J. Gamble explores the figure of the 19th century female huckster as well as the middle-class anxieties that slandered and…
Craig Mod writes for Aeon on ebooks’ technological stagnation: …it was a stark reminder that pliancy of media invites experimentation. When media is too locked down, too rigid, when it’s…
After all, a toy boat is hardly its former self after a lifetime at the bottom of the sea. No matter how intact an archive, it can never fully reconstruct…