Michelle Vider is a writer based in Philadelphia. Her work has appeared/is forthcoming in The Toast, Lady Churchill’s Rosebud Wristlet, Atlas and Alice, Baldhip Magazine, and others. Find her at michellevider.com or @meanchelled.
Emily Gaynor writes for Weird Sister on the performative aesthetic of Internet “sad girls,” who use their work to explore the boundaries of acceptable/unacceptable public displays of emotion for women:…
I’m always telling stories, but I sort of fuck with the idea of thinking about myself and my work in a lyrical sense. Because that’s now how I’ve traditionally thought…
At JSTOR Daily, Jon Greenaway revisits Susan Sontag’s writing on photography (specifically in On Photography and Regarding the Pain of Others) through the lens of Europe’s current refugee crisis.
Alexander Chee writes for LitHub on Elena Ferrante’s pseudonymous, social-media-free existence and the choices other authors have made to dis/engage with social media at points in their careers: Ferrante’s anonymity…
In an interview with Bethanne Patrick at Lit Hub, Vu Tran discusses his novel Dragonfish and the idea of subverting the (othered) expectations of immigrant experience through conventions of genre.
Kate McGee, a reporter for Austin’s NPR affiliate KUT, recently completed on a summer-long series titled The Months Between. The series followed three Central Texas graduating high school seniors to…
But between publishers’, readers’ (audiences!), editors’, writers’—and, it turns out, MFA students’—definitions, the term “immigrant fiction” has become a muddle, a catchall phrase to describe anything that appears “non-American,” foreign…
At Longreads, Jessica Gross interviews social scientist Bella DePaulo on her research into the underreported popularity of non-nuclear living arrangements. DePaulo’s research also delves into the particular emergence of friendship…
Alexandra Zapruder writes for Lit Hub on her two decades of work collecting diaries written by teenagers and young adults during the Holocaust, as well as teaching about the wide…
“The year without a summer,” as 1816 came to be known, gave birth not only to paintings of fiery sunsets and tempestuous skies but two genres of gothic fiction. The…
The stories we tell ourselves can help us understand, and maybe even adapt, to this new world. But the dour dystopias and escapist fantasies of our current science fiction diet…
At JSTOR Daily, linguist Chi Luu makes a case for emphasizing grammar rules that follow popular usage, rather than the pedantic standards set by centuries-dead classicists. Here are the plain…