Michelle Vider is a writer based in Philadelphia. Her work has appeared/is forthcoming in The Toast, Lady Churchill’s Rosebud Wristlet, Atlas and Alice, Baldhip Magazine, and others. Find her at michellevider.com or @meanchelled.
Rose Eveleth writes for Aeon on the complicated relationship between religion and archaeology and how both have shaped how we tell the story of the world. It’s impossible to do…
Many days, my own failure lurked in the shadows, too terrible for me to look at straight on, but I read the words, I watched the screen, again and again.…
Harry Merritt writes for The Awl on the history of Eastern Europe as the traditional home of villainy, particularly in comic books and their cinematic universes.
At JSTOR Daily, Pamela Burger follows the history of women’s book clubs from their progressive 19th century origins to their recent Oprah-inspired revival: In many ways, these older groups paved…
Chi Luu writes for JSTOR Daily on the rapid extinction of the world’s languages and linguists’ efforts to preserve these dying languages for future generations. On the surface, there isn’t…
For Pictorial at Jezebel, Kelly Faircloth explores the public imagination’s view of the romance writer, focusing on the genre’s boom in the 1980s and the modern-day romance writer with her…
At Hyperallergic, Allison Meier offers a history of the oldest multicolor printed book, recently digitized and published online by the Cambridge University Library system. The manual [the 17th-century Manual of…
The mythology of the New World – as expansive as the continent itself – engendered a mania for magical thinking, for reinvigorating Old-World myths in a land that still felt…
For wherever writing seems to achieve preeminence as a tool of the powerful, we find at that moment that it becomes possible to take it apart and turn it upon…
Kiss me like this – slowly. Your tongue, like a living flame, feeds my burning dreams – and after my heavy-hearted abandonment, a clean breeze brightens the jasmine in my…
In such a world, the trajectory of any one character, however prominent, never escapes being warped by the gravity of another. Even if, as in Preparation for the Next Life,…
In the existing ways that our fashion, speech and music are ripped from our bodies and plastered as spectacle, this otherwise radical platform becomes a tool of injustice and control.…