Seth Fischer’s writing has twice been listed as notable in The Best American Essays and has been nominated for The Pushcart Prize by several publications, including Guernica. He was the founding Sunday editor at The Rumpus and is the current nonfiction editor at The Nervous Breakdown. He is a Dornsife PhD Fellow at USC and been awarded fellowships and residencies by Ucross, Lambda Literary, Jentel, Ragdale, and elsewhere, and he teaches at the UCLA-Extension Writer’s Program and Antioch University, where he received his MFA.
“To The Editor, Last winter I submitted a story titled Vacation from Hell. Frankly, the length of time it has taken to reply to my submission is an insult. If…
“I just bought an original, limited-edition Andy Warhol lithograph titled “Marilyn,” plate-signed and pencil-numbered 1293/2400, published by the Carnegie Museum of Art in 1986, when Andy was still alive. I…
Everything about these quotes GIANT dug up by Klaus Kinsky is amazing. At TMN, this is what happens when you interview someone you busted for plagiarism. Here are lots of…
Last year at about this time, the Israeli paper Haaretz let a bunch of literary writers report the news to celebrate Israel’s book week. Well, they’re doing it again, but…
“I think a lot of literary academics look sort of wistfully out of their office windows and wish their career hadn’t led them so far away from the wider public…
“I have no idea how to handle this new mode of living (I guess “living” is the word) in fiction. I probably spend more time e-mailing and reading online than…
“I feel that for writers, an obsession with what is elegant or what is a cliché or not a cliché can become very inhibiting.” Booker Prize winner Kazuo Ishiguro stands…