Seth Fischer’s writing has twice been listed as notable in The Best American Essays and has been nominated for The Pushcart Prize by several publications, including Guernica. He was the founding Sunday editor at The Rumpus and is the current nonfiction editor at The Nervous Breakdown. He is a Dornsife PhD Fellow at USC and been awarded fellowships and residencies by Ucross, Lambda Literary, Jentel, Ragdale, and elsewhere, and he teaches at the UCLA-Extension Writer’s Program and Antioch University, where he received his MFA.
For absolutely no reason except that I feel like it, I’m posting a lot about sex today, so in order to be consistent, Politics Sunday will be Sexual Politics Sunday…
“Results suggest that facial hair is worn to enhance a man’s marriage prospects by increasing physical attractiveness and perception of social status. Men shave their mustaches, possibly to convey an…
“Well, the gay magazines don’t want it. It’s not good for their political agenda. And the straight mags just don’t get it. I haven’t found the hook, but the feedback from…
“Do not chew on the headphone cords!” — From @electriclit, passive aggressive library signs. Marc Jacobs is pissing off literary West Villagers by opening a book store. At The Guardian,…
Over at The Awl, Maud Newton asks how scared we should be of groups like the Hutaree militia, which was recently broken up by the FBI for planning attacks on…
California voters may legalize pot. And it might throw quite the wrench in the already complex upcoming elections. In Brazil, a “school of gay arts,” including classes in lip-synching, wig…
“If asking contributors to write for free then collecting 50K is good karma, what’s bad karma, Mark?” I know we’ve been linking to a lot of Rumpus contributor Steve Almond…
Happy Easter, everybody! A slideshow of writerly villains in film. (via) “Why Twitter is Gertrude Stein.” (via) I know it’s not hip right now, but I love me some “neuronovels.”…
This week, we’ve got some pretty excellent reviews, oodles of interviews, and a third installment of “An Oral History of Love in Contemporary America.” Come see.