Stephanie Bento is a writer, classical cellist, and photographer living in Washington, DC. In her writing, she is interested in exploring the musicality of sound and form, and our connection to time and place. Find out more about her creative work at saudadebelle.com, or say hello/bonjour on Twitter @saudadebelle.
Over at the Paris Review Daily, Wei Tchou explores writers’ presentation of their emotions via social media, and what that means for how their work is judged. Tchou concludes: Overblown emotional…
At the New Yorker, Amanda Petrusich writes an ode to Other Music, a New York City record shop that recently closed its doors after more than twenty years in business. For Petrusich,…
Over at the New York Times, author Heidi Julavits reviews the late Jenny Diski’s memoir, In Gratitude: While I couldn’t read “In Gratitude” without a persistent lump in my throat,…
In an interview with Flash Frontier, Tara Laskowski, senior editor at SmokeLong Quarterly, talks about her new short story collection Bystanders, the line between fiction and reality, the present tense, and the…
In an Electric Literature article about the English translation of Brazilian writer João Gilberto Noll’s Quiet Creature on the Corner, Ilana Masad explores the mysteries of translated fiction: Approaching a translated…
If you’re delicate with people, if you listen to them just right and give them the space you think they need and are always kind to them, then that’s not…
For The Believer Logger, Prashanth Ramakrishna, Theodore Gioia, and Claire Boyle ask the question: if novels were music, in which key would they be written? The post characterizes a couple of musical…
At Bustle, Lindsay Merbaum writes about her experiences reading books at bars and how some men feel threatened by the presence of a single woman reading: Perhaps what is so…
The New York Times writes about how Elizabeth Gilbert, author of Eat Pray Love, overcame her fear of singing in public to raise money for a nonprofit that helps orphans…