Posts by author
T Fleischmann
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Advice for Lovers by Julian Talamantez Brolaski
“A rose is arrows is eros,” as one poem has it, and who is to argue? Love and lyricism are all the better for their queerness. Brolaski, with a powerfully trans poetic, instructs us on just this fact, cloying power…
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Percussion Grenade by Joyelle McSweeney
McSweeney asks us to inhabit the conflicting edges of that reality, mouthing the power and joy that come with degeneracy.
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Inmost, by Jessica Fisher
Many of the most interesting lyric books of the past few years have attempted a sort of reckoning between contemporary life and the reality of ceaseless war. Nick Flynn’s The Captain Asks for a Show of Hands, Fanny Howe’s Come…
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Wind and Rain Make No Difference
Guide to Capturing a Plum Blossom could fit neatly into any number of contemporary-sounding categories: hybrid text, art book, lyric essay, etc. It is a book that relies on interdependence of image and text, of history and the present, of…
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You Simply Die of Want
The poems are themselves stealthy, hiding but then eventually revealing themselves to the writers. Or the stealth writers, both Seaton and Ace autonomous and authentic somewhere in that collaborative voice.
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It’s Pigsty I
Nomura plays with language in radical and diverse ways, employing subtleties of rhythm, semantics, image, gender, punctuation, and repetition, often all within the same short stanza.
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No Dazzled Salamanders
This… collection offers a world where narrative, grammar, and logic all come and go, rising up familiarly for a few lines then dispersing again, something thrilling and unrecognizable in their place.
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All Narration Just Congeals
Cœur de Lion is a lyric book, a book about being in love with someone you can’t have, and it unflinchingly acknowledges that the person she falls for is kind of awful.