Posts by author
Virginia Konchan
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It Ninja-Stars Me
The voice that animates The French Exit is smart and philosophically dexterous, capable of showing the self to be a fetish-object of its own and also a refractive subject of Lacanian devotion, as a mirror which doesn’t so much distort…
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The Range of Your Amazing Nothing
Lina ramona Vitkauskas asks, and her collection stands as an intrepid answer, the question as to why haute couture, avant-garde and post avant-garde cinema, Derrida, and marine life should be at odds, offering her reader startling juxtapositions vis a vis…
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American Fractal
Timothy Green’s debut collection of poetry, American Fractal, picks up where scientific discourse leaves off.
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King of a Hundred Horsemen
As with much French poetry, the idée fixe of King of a Hundred Horsemen concerns the problematics of desire, and several of the passages are so euphonic in the original that quoting from the translation may lessen the overall effect…
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The Plath Cabinet
Many of the strongest poems in this poetical homage politicize Sylvia [Plath], showing her to be less a victim than a citizen of her time, whom history can misrepresent but not silence.
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A New Cult of Domesticity
The speaker of The King doesn’t play into the randomly generated poems and discursive ironies of her generation; she lifts the curtain to the production, exposing the history of language’s (and romanticism’s) disintegration.
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The Rumpus Original (Supersized) Combo with Rebecca Wolff
How do you supersize a Rumpus Original Combo? That’s easy—just take a book review and an interview with the author, and add a Rumpus Original Poem to it!
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“Trouble on the way, and great joy”
In a place where names are lost like household objects, and white noise supplants meaningful distinctions between voices and people, why the need for singularity (or personhood) at all?
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Measuring the Weight of Loss
A post-romantic poet not content to wax sentimental on idealized Nature, a la Mallarmé, Andrew Michael Roberts has staked his tent in her decimated domain.