Maybe my faith that the profoundest feeling we're offered by art that really hits us deep in is a setting free, a series of screens or horizons obliterated somehow lovingly.
Even the hardest books ultimately cohere, it’s just a matter of whether their internal logic will eventually open up and allow you entrance. Lily Brown’s Rust or Go Missing is…
The poems in April Bernard’s Romanticism feel more complete, somehow, for the fact that they each align their focus on objects which, on multiple readings, still seem to have no…
The hard thing about these poems is that they make sense, fundamentally, but they’ve got a strange, skittering-away sense to them, a resistance to being pinned down.
I don’t know if I’m the only youngish reader to have this chip on my shoulder, but I always sort of assume that poems by older people get mellower. Let…
Through rigorous consideration, with patient generosity, Valerio Magrelli’s poetry allows all his subjects—broken machines, utterances, each of us—to be our own streets, and in such a transfixing world, a circle…