Zoe Zolbrod is the author of the award-winning memoir The Telling and the novel Currency. Her essays have appeared in places such as Salon, The Guardian, the Manifest Station, and The Rumpus, where she served as the Sunday co-editor.
This week’s Sunday Rumpus essay made me especially attuned to other pieces that touch on immigration and power differentials. In “On Publishing a First Memoir,” Daisy Hernandez recalls a teenaged…
In today’s New York Times Book Review, there’s a great essay by Cheryl Strayed responding to the prompt “Is This a Golden Age for Woman Essayists?” She rightly tears the…
Way back in the 1990s we, Zoe Zolbrod and Martha Bayne, decided to publish a zine. For months we zipped editorial ideas back and forth on our brand-new AOL accounts,…
Faced with parenting children who have no qualms about bursting into tears, Zoe Zolbrod revisits her own stoic childhood, two generations of secret abuse, and whether crying may hold the power to protect.
What is the price of art--of inspiration? Shaken by the dire financial need of one of her youthful punk idols, Zoe Zolbrod powerfully re-examines her own relationship to the middle-class ethos.
"The phrase 'global citizen' always gets tossed around with my work, and part of it is that, clearly, talking about being a global citizen is the only way we can talk about participating in globalization without feeling like assholes."
I first heard of Lisa Carver in the late 1980s, when we were both about 19 or 20. Performing under the name Lisa Suckdog in shows that involved screeching, screaming, pissing,…