The New Yorker Festival is fast approaching, and tickets are on sale now. As always, the festival, which runs from October 16-18, promises to bring together the most interesting minds…
Soft Skull Press has got a new book out called Label 228, featuring art made on Priority Mail labels. Juxtapoz blogger Elise Hennigan has written a review of the book…
Almost every time I’ve been home to Toronto in the past six years, and visiting with my dear friends Greg and Meredith, I hear a really great story about Meredith’s…
Friday night I walked up the crowded and sweaty streets near Union Square to Silverman Gallery for the opening of Captain!, new paintings and collages by Luke Butler. Butler deals…
The Denver Post publishes a collection of stills by Emilio Morenatti, an Italian photographer for the AP who currently covers South Asia. We hear a lot about Pakistan these days:…
Harvey Pekar of American Splendor fame has teamed up with Tara Seibel, Joseph Remnant, Rick Parker, and Sean Pryor to create his first webcomic over at SMITH. The Pekar Project…
The artist Damien Hirst is trying to ruin a seventeen year old artist named Cartrain … for stealing a pack of pencils as a practical joke. Originally, Hirst went after…
Over at Cool Tools, Kevin Kelly has posted a review of a graphic adaptation of the US Constitution. Describing the document as “a robust self-correcting legal OS,” but admits that…
While browsing the web during a slow pre-holiday weekend day at work, I stumbled across a font family called Vialog, which is intended to be used primarily in signage. One…
What’s hipper than indie culture? Discussing whether or not indie culture still exists, of course. In his essay for The Millions, “T.V. Party Tonight!,” Patrick Brown wonders about the reoccurring…
“On the whole Young’s work deals with issues of corporate culture and the artist’s place in it, but the spaces they were cast in no longer seemed to exist culturally.”