I am as guilty as any other reader I know of opening or hijacking conversations with some derivation of, “You know what you should read?” I can’t help myself; I…
From time to time, I’m bummed that I don’t live in New York. Tomorrow night, The Nervous Breakdown and Emergency Press take over NYC, and this ups my bumming considerably.…
Newly appointed Washington State Poet Laureate, Kathleen Flenniken, recently released a second book called Plume, part of the Pacific Northwest Poetry Series of University of Washington Press. I will admit,…
In Vanishing-Line, Jeffrey Yang writes, “But the birches of Yennecott/ recall his word-spirits.” Rather than using lines or stanzas as the basic unit of expression in this collection, Yang writes…
For years when I was young I would crouch beneath the dinner table to watch my parents drink after-dinner coffee and wine with an ever-changing group of scientists—a tall man…
As its title suggests, Compendium, poet Kristina Marie Darling’s second book of poetry, is a short collection of poems compiling an incomplete history. Calling the book experimental, fails to tell…
This week’s Letter In The Mail is from Rumpus founding editor Stephen Elliott. Stephen is the author of seven books, including The Adderall Diaries and Happy Baby. His first feature film,…
Our April poet, Carmen Giménez Smith, was featured on NPR’s NewsPoet series. (NewsPoet has featured Rumpus Poetry Book Club poet and recent Pulitzer Prize winner Tracy K. Smith as well.)…
Richard Nash recently gave this talk at an event for Grub Street. If you haven’t heard Richard wax on publishing in general, and his latest venture, Small Demons, in particular,…
Emily Kendal Frey’s compact, laconic poems from her first collection, The Grief Performance, outwit, outlast, and, eponymously, outperform not only death, but failure, ennui, and despair. How, you ask? For starters, the…