Today is the very last day to join The Rumpus Book Club if you’re hoping to receive Sugar/Cheryl Strayed’s book, Wild. Make your way over here to subscribe.
[Adamshick's] disinterest in self-promotion is plain, and the interview should be read with his tone in mind: wary, self-depreciating, somewhat amused.
Throughout the collection, the speaker in these poems is constantly aware of this contradiction, the intersection between life and art, perhaps frighteningly so, seeking solace in “these few things left,”…
Look, it’s an old story, masculinity; usually discussed in terms of brutality and honor, power and powerlessness, and occasionally a highlighting of the tender underbelly that rises up no matter…
VIDA has once again released their count, where they look at prominent magazines and identify the gender breakdown of writers, reviewers, and books reviewed. Once again, the numbers are revealing.
CA Conrad and Eileen Myles have an extensive conversation over at BOMBLog. Topics include Myles’ new “poet’s novel” Inferno, how memory’s role differs in composing poetry versus fiction, and writing…
MY MAGNIFYING GLASS ★★★★★ (5 out of 5) Hello, and welcome to my week-by-week review of everything in the world. Today I am reviewing my magnifying glass.
Schomburg’s newest book, Fjords, Vol. 1 holds true to this idea of finding familiarity in a parallel consciousness. Just because the poems often work in a seemingly private dreamscape, doesn’t…
[Peter] Gizzi’s particular gift is to posit that shifting location where senses meet the terrible and the sublime, where political portent or its brittle actualities announce themselves in various configurations.