Poetry
2347 posts
Poets make the world huge: A conversation with Michael Wiegers of Copper Canyon
I don’t believe we come to nor travel through poetry alone . . . Rather than “social” I would instead encourage the word “communal”; the former sounds a little more performative and exclusive to my ear than does the latter, which sounds more like an invitation.
Rumpus Original Poetry: Two Poems by John A. Nieves
Balladeer Quatrains This slant-ass love song is for six storeys of cement and light and how it held every portable us blanket-swaddled against scattering. This is for…
RUMPUS POETRY BOOK CLUB EXCERPT: WHY I WRITE LOVE POETRY IN A BURNING WORLD by Katie Farris
Our April 2023 Rumpus Poetry Book Club selection is Katie Farris's Standing in the Forest of Being Alive
The Freedom of Form & Re-Entering Myths: An interview with A.E. Stallings
Our lives may seem to be lived on the small scale of the everyday but, because we are mortal, because ultimately everything is at stake, also play out against something universal and important.
Yearning and Wandering: Tiff Dressen’s Of Mineral
The earth is fertile ground for seeking one’s roots and connection to others.
The Person Is Not The Body: An Interview with Rushi Vyas
I think, as writers, we only have so much choice. Obsessions emerge from our lived experience.
From the Archives: Rumpus Original Poetry: Three Poems by Luther Hughes
About storms, truly, what did I know?
Clearing the Bar with Care and Complexity: Ada Limón’s The Hurting Kind
The Hurting Kind’s epigraph, a quote from Argentine poet Alejandra Pizarnik [implores] us to “Sing as if nothing were wrong. / Nothing is wrong.” When we read Limón, we can almost believe that.
RUMPUS POETRY BOOK CLUB EXCERPT: HAPPY WARRIOR by Michael Chang
An excerpt from The Rumpus Poetry Book Club's March selection, SYNTHETIC JUNGLE by Michael Chang
Holding On and Letting Go: Rebecca Aronson’s Anchor
Gravity is what tethers us to the earth and to those we love, but it is also what we are constantly trying to escape. Anchor is about both these states—the holding on and the letting go—and the tension between them.
Rumpus Original Poetry: Two Poems by Janan Alexandra
2. In literary Arabic, kaph is used as a prefix to mean like or as or as though / 3. If kaph is a hand that means like or as or as though, then kaph is a simile / 4. Simile is a hand touching two places at once, a hand bringing together / two far away things, making a transfer (metaphor)