Poetry
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The Rumpus Interview with Carl Adamshick
[Adamshick’s] disinterest in self-promotion is plain, and the interview should be read with his tone in mind: wary, self-depreciating, somewhat amused.
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“The Mathematician,” a Rumpus Original Poem by Carl Adamshick
The Mathematician She’s taken to sleeping late. Only recently have I come to stare on her as phenomenon.
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“In the Pink,” a Rumpus Original Poem by Maureen Thorson
In the Pink I walk the beach by the Tickle Inn and I know that breakups suck.
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Thumbs In, Fingers Splayed
Throughout the collection, the speaker in these poems is constantly aware of this contradiction, the intersection between life and art, perhaps frighteningly so, seeking solace in “these few things left,” trying to reconcile, like any reasonable artist, the internal with…
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Eileen Myles on Inferno
CA Conrad and Eileen Myles have an extensive conversation over at BOMBLog. Topics include Myles’ new “poet’s novel” Inferno, how memory’s role differs in composing poetry versus fiction, and writing as a woman or queer. Plus much more. “…When you…
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Trees Are Blooming Into Bright Lightbulbs
Schomburg’s newest book, Fjords, Vol. 1 holds true to this idea of finding familiarity in a parallel consciousness. Just because the poems often work in a seemingly private dreamscape, doesn’t mean you aren’t invited to into the strangeness, asked to…
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The Whole Vortex of Home
[Peter] Gizzi’s particular gift is to posit that shifting location where senses meet the terrible and the sublime, where political portent or its brittle actualities announce themselves in various configurations.
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We’ll Call Them Contact Zones
Based in research of museum design, and memorialization, Slot’s narrator moves inside public landmarks dedicated to various disasters—9/11, slavery, Hiroshima, the Holocaust— and explores ways memorialization acts on conscience and memory, interrogating the urge to abstract, label, and catalogue suffering.
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I Kid You Not the Rush Is Good
Be ready for thresholds, light and dark—in both natural and fluorescent hues—and for getting high.
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Why I Chose D. A. Powell’s Useless Landscape or A Guide for Boys for the Rumpus Poetry Book Club
Rumpus Poetry Editor Brian Spears on why he selected D. A. Powell’s Useless Landscape or A Guide for Boys for the Rumpus Poetry Book Club in February.
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Twin Cities by Carol Muske Dukes
Muske-Dukes’s book seems the perfect read for this time of year when the year is winding down, yet life is still rumbling forward.
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They Sing Wild Songs In New Keys
Marge Piercy’s unflinching clarity of vision continues to be the kind of sturdy example so vital to literature. She has long been teaching and in the public arena, on the humane side of almost every contemporary issue.