Poetry
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“Ode to Ross Watson,” a Rumpus Original Poem by Steve Fellner
Ode to the Painter Ross Watson Don’t imagine me as the woman who you replicated from the Vermeer
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There Are More Knowzits Than Ever
Coleman’s work is functional and communal; she wields the oral tradition in a way that reflects her poetry ancestry—the blues queen, Koko Taylor, for example, or the fringe Beat genius, Bob Kaufman—but she also shows planed, hewn lines of intellectual…
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The Last Poem I Loved: “Poem at the New Year” by John Ashbery
To truly commit a poem to memory is to commit your life to that poem. Out of all the many verses I’ve memorized over the last year, no other has so fully enveloped my days than John Ashbery’s “Poem at…
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The Short History of Summer
Innovation is at the heart of these poems, and King’s ability to see through the surface to the deeper and often disconnected intricacies of life make them pleasurable and powerful to read.
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“Death, Is Always,” a Rumpus Original Poem by Amy King
Death, Is Always Turning my hair inside out, I only see Emma Bee making sense of excess, making something of it online, via high fashion, which shouldn’t be but is, along with every other thing, both uber- and central- Pacific—…
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Manifests Both Terror and Dis-Ease
What is a woman’s place in a world full of overwhelmingly masculine ideas and works? Marthe Reed, in her newest book of poetry, Gaze, examines the many intersections between women and modern society as a whole.
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Blizzard Over Bosphorous
A Fire-Proof Box is a porous work, languages overlapped, breathing, an English translation that manages to capture the icy weight of classically “Russian” sensibilities.
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The Rumpus Poetry Book Club Chat with Amy Newman
The Rumpus Poetry Book Club chats with Amy Newman about her poetry collection Dear Editor.
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Permanent Water
You just texted me two cock pics It used to be more artful The way you did it, the composition. Like last week. It just stopped raining. I have a cold quicksilver feeling. I could put this in a place…
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“A Little Sign,” a Rumpus Original Poem by Matthew Rohrer
When I was little / we ate a meal / at my great-grandmother’s farm.
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A Sunny Day is a Sufficient Cathedral
The book’s strongest moments are often its quietest, as when the complexity of the speaker’s engagement with himself and the world is repulsed or rerouted by automatic prompts and alienation.
