Interviews
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Stories that Reveal Something True: A Conversation with Corey Rosen
“Stories make information stick. They give our experiences shape, emotion, and meaning. That’s why I wanted this book to be practical, so anyone can take the tools of storytelling and use them in real life, at work, in school, and…
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“Adolescence as Hallucination” and Eschewing Autofiction: A Conversation with Chris Kraus
“I’ve never seen my novels as being about me. Catt is my avatar but I’m writing about the things, people, themes, and histories that are close and important to me, the things I know most intimately. I really can’t write…
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To the Letter: A Conversation with Virgina Evans
“ I wanted the story to be a tight ball of yarn even though there were a million strands. It had to be tight to keep a reader’s interest, so there was an element of looping back almost like a…
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Embracing Constraint through the Expansion of Going Deeper: A Conversation with Tayyba Kanwal
“I think “escape” does work in that we all need to escape our constraints. How we escape them is the question. Do you escape by breaking down the structures? Or do you escape control by finding ways to accomplish what…
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Confronting Fear with Poetry: A Conversation with Tracy K. Smith
“Poems allow me to work toward momentary clarity or to see a problem through a metaphor that makes it something I can work upon or live with in a way that always feels like a blessing or some kind of…
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Welcome To The Party: A Conversation With Saeed Jones
“So I have deep empathy for people who are shook, whether because they’re young or they just haven’t been especially into politics until fairly recently. I get that, I really do. But it’s important to channel that initial shocked panic.…
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Reimagining the American Road Trip Novel: A Conversation with Winnie M. Li
“Previously, I found there was so much anxiety, like, “I’ve written this entire thing. Am I gonna get a book deal or is all that effort just going to go down the toilet?” Because I knew the book was going…
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The First Book: Addie E. Citchens
This book took around 6 months of actual writing time and about 13 years of living and maturing.”
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Identity, America, and the Power of the Pen: A Conversation with Jason Mott
“I have learned over the years to control what I am willing to let go of. What I mean by that is, I think writers often underestimate how once you put something into print, it is no longer yours. It…
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The Shipwreck Left in the Wake of Nature Versus Civilization: A Conversation with Anbara Salam
“I always thought that Patricia Highsmith was such a genius at this in the Ripley books. Ripley is such an unlikeable person, but you so desperately want him to get the things that he wants, even though he’s this horrendous,…
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Going into the Wreckage and Unearthing James Baldwin’s Great Loves: A Conversation with Nicholas Boggs
“ I wrote it as a kind of narrative so that people feel that they are in the room with Baldwin. I want them to feel that they are down by the waterfront. I want them to feel that they…
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“One Consolidated Gasp:” A Conversation with Rickey Laurentiis
“I remember there was a moment, where I would write a poem, and I would put it immediately on Instagram. And it was just that gesture of extending a hand, and it wasn’t about the poem, it wasn’t for people…