A reflection on reflection: An interview with Katherine Indermaur
I did some research on how the vertical slash was used in different contexts, and fell in love with the Sheffer stroke.
Interviews
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A story is like a nomad: An Interview with Geetanjali Shree
We must return again and again to the whole issue of hegemony of the English language
When The Pipes Inspired the Poets: A conversation with the Boiler House Poets Collective
The Boiler House held a magic, as it turned out, for all of us, with its sound installation clanging and pinging in the background, sun slanting through the pipes, pigeon feathers drifting, an occasional passerby pausing to listen.
Men Haunting Men: A conversation with Richard Mirabella
Maybe being haunted is just feeling something crooked nearby
Leave what you can, take the rest: An Interview with Idra Novey
Every day you have to abandon your past or accept it, and then, if you cannot accept it, you become a sculptor.
The Freedom of Form & Re-Entering Myths: An interview with A.E. Stallings
Our lives may seem to be lived on the small scale of the everyday but, because we are mortal, because ultimately everything is at stake, also play out against something universal and important.
The page is the stage: An interview with Junious Ward
“If you’re gonna push form, you’ve got to really push it.”
What might my gaze reveal? An Interview with Erica Berry
I suppose I’m obsessed with how we buffer uncertainty.
The Person Is Not The Body: An Interview with Rushi Vyas
I think, as writers, we only have so much choice. Obsessions emerge from our lived experience.
Science and Symbols: An Interview with Kevin Jared Hosein
I like to say this is a novel about split-second decisions, because either you go for it or you sink into the water and be forgotten.
When Craft Becomes an Act of Love: An Interview with Gayle Brandeis
I want to be fully present for whatever I'm doing, whether it's teaching, or writing, or being with people I love.
This Is All the Time We Get: A Conversation with Felicia Chiao
I've been drawing the figure alone in interiors for a long time, and when the lockdown happened, my work blew up. I recognized, “Oh, suddenly everyone's depressed at the same time.”