Interviews
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The Poem is Second, Living is First: An Interview with Tim Z. Hernandez
Above everything else, people come first.
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I Freed Myself from Needing to Make Sense: A Conversation with Leila Chatti
I’ve learned by now my mind is smarter than I am, than my conscious self—it’s doing all sorts of things in there, unbeknownst to me. I often tell my students that the poem knows better than I do, and so…
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Hope and Rapture in the Anthropocene: A conversation with Julie Carrick Dalton
. . . fall in love with honey bees, or fall in love with the forest . . .
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Loving the questions: Religion and poetry with Jennifer Michael Hecht
Thinking in terms of the poetry of your life is about noticing that you are one of the sentient beings in a universe with billions of galaxies, and your experience is the universe knowing itself and it is weird and…
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The Spiritual Fact of Our Oneness: A Conversation with Charif Shanahan
“The world is literally and figuratively on fire. Of all the things we could do with our lives, why write poems?”
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Strength and Feeling in Motion: A conversation with Henri Cole about Gravity and Center
Horses are a nice metaphor for the sonnet’s strength and feeling in motion. Beauty and violent power come together in an animal form. When I write, I have the feeling of being a rider. As the poem gallops forward, I…
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A reflection on reflection: An interview with Katherine Indermaur
I did some research on how the vertical slash was used in different contexts, and fell in love with the Sheffer stroke.
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A story is like a nomad: An Interview with Geetanjali Shree
We must return again and again to the whole issue of hegemony of the English language
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When The Pipes Inspired the Poets: A conversation with the Boiler House Poets Collective
The Boiler House held a magic, as it turned out, for all of us, with its sound installation clanging and pinging in the background, sun slanting through the pipes, pigeon feathers drifting, an occasional passerby pausing to listen.
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Men Haunting Men: A conversation with Richard Mirabella
Maybe being haunted is just feeling something crooked nearby
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Leave what you can, take the rest: An Interview with Idra Novey
Every day you have to abandon your past or accept it, and then, if you cannot accept it, you become a sculptor.
