Robyn Schiff talks about her collection A Woman of Property, the long con of “owning” land, her passion for early novels, how motherhood changed her poetry, and the generative powers of form.
Kristopher Jansma discusses his second novel, Why We Came to the City, facing adulthood in his thirties, and working through grief and loss in writing.
Director William Cusick discusses his new film, Pop Meets the Void, its unconventional narrative structure, simultaneously acting and directing, and the universal urge to create.
Jessa Crispin talks about The Dead Ladies Project and The Creative Tarot, founding Bookslut, why she has an antagonistic relationship with the publishing industry, and her estrangement from modern feminism.
Acclaimed poet and writer Laura Mullen talks about her new book, Complicated Grief, obsession, germ theory, and exposing the arbitrary and superficial protections that have failed us.
Kaitlyn Greenidge discusses her debut novel, We Love You, Charlie Freeman, siblinghood and sisterhood, and finding a group to call “my people” in the larger literary world.
Rob Roberge talks about his new memoir, Liar, the differences between writing fiction and writing memoir, and why every narrator is an unreliable narrator.