Rebecca Schiff discusses her debut collection The Bed That Moved, choosing narrators who share similarities with each other and with herself, and whether feminism and fiction-writing conflict.
Author Chanan Tigay discusses the complicated man at the heart of The Lost Book of Moses, the anxieties of writing true stories, how much to withhold from your reader—and tells a few jokes about creative nonfiction.
Bernadette Murphy on her forthcoming book, Harley and Me: Embracing Risk on the Road to a More Authentic Life, the challenges of selling a memoir, and life beyond "the suburban-wife-mother picture."
Asali Solomon discusses her debut novel, Disgruntled, narrative structure, the mythology of memory and place, and returning to Philadelphia after years away.
Kim Brooks discusses her debut novel, The Houseguest, her approach to character and historical narrative, and the value of engaging readers with larger social issues through literature.
William Hjorstberg talks about his new book, the heady writing days in Livingstone, Montana, being a "Hollywood whore," and the finer points of Richard Brautigan.
Poet Terese Svoboda talks about her biography of the socialist-anarchist firebrand and modernist poet Lola Ridge, Anything That Burns You, and remembers a time when the political was printed in newspapers.