Alida Nugent talks about her new book You Don’t Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism, the messiness and realness of sex and sexuality, and putting likeability last.
Karen Salyer McElmurray talks about academia, the relationship between flaws and perfection, writing memoir, and the "tapestry" of writers who inspire her.
Garth Greenwell discusses his debut novel, What Belongs to You, crossing boundaries, language as defense, and the queer tradition of novel writing that blurs boundaries between fiction and essay and autobiography.
Danielle Dutton discusses her forthcoming novel Margaret the First, the research behind writing historical fiction, and how being the editor of a small press has influenced her own work.
British photographer Derek Ridgers discusses his fetish for nightclub portraits and what it’s been like to shoot the London underground scene for nearly four decades.
Author Mira Ptacin discusses her memoir Poor Your Soul, what inspires her to write, motherhood, and why she considers her beat “the uterus and the American Dream.”
Anthony Marra discusses his latest book, The Tsar of Love and Techno, how humor affects literature, how absurdity affects war, and what makes the perfect mixtape.
Sanae Ishida discusses her debut children's book, Little Kunoichi, The Ninja Girl, embracing her creativity after years in the corporate world, and finding inspiration in her young daughter.
Sandra Cisneros, author of The House on Mango Street, talks about her new memoir, A House of My Own, living in a post-9/11 era, and the necessity of heartbreak.
Sunil Yapa discusses his debut novel, Your Heart is a Muscle the Size of a Fist, radical empathy, growing up surrounded by politics, and losing the first draft of his novel in Chile.