Rob Roberge talks about his new memoir, Liar, the differences between writing fiction and writing memoir, and why every narrator is an unreliable narrator.
Elizabeth Kadetsky talks about her new novella On the Island at the Center of the Center of the World, writing about trauma and external forces, and coming to fiction from journalism.
Chris Jennings talks about his new book Paradise Now: The Story of American Utopianism, incremental reform, Transcendentalists, Shakers, and creating a more perfect future.
Alida Nugent talks about her new book You Don’t Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism, the messiness and realness of sex and sexuality, and putting likeability last.
Karen Salyer McElmurray talks about academia, the relationship between flaws and perfection, writing memoir, and the "tapestry" of writers who inspire her.
Garth Greenwell discusses his debut novel, What Belongs to You, crossing boundaries, language as defense, and the queer tradition of novel writing that blurs boundaries between fiction and essay and autobiography.
Danielle Dutton discusses her forthcoming novel Margaret the First, the research behind writing historical fiction, and how being the editor of a small press has influenced her own work.