Paul Griner talks about his newest novel, Second Life, his just-released story collection Hurry Please I Want to Know, putting real life into fiction, and whether creative writing can be taught.
Mark Danielewski talks about the "maddening energy of violence" and why he’s writing a 27–volume novel, starting with his first 850-page installment in the series, The Familiar, Volume 1: One Rainy Day in May.
Editor and author George Hodgman talks about his new memoir, Bettyville, what makes for a good memoir, and returning to his hometown of Paris, Missouri from New York to take care of his aging mother.
Bestselling author Erik Larson talks about his new book, Dead Wake, his transition from journalism to history, and what, in his opinion, makes a first-rate nonfiction novel.
Author Antonio Ruiz-Camacho speaks about his new collection, Barefoot Dogs, breakthrough stories, the writing process, and why translating his book for readers in Mexico feels like a homecoming.
Author Maggie Nelson talks about matrophobia, “sodomitical maternity,” breaking down categories between genres of writing, and her new book, The Argonauts.
Monica Byrne talks about sex, gender, the insidious power of stereotypes, and putting relationships between women at the center of her novel, The Girl in the Road.
Writer, musician, and poet Christian Kiefer discusses his literary influences, the "beautiful, beat up, and weird town" that is Reno, and writing from the perspective of beasts in his new novel The Animals.
Novelist Greg Baxter talks about living abroad as an American, writing his new book, Munich Airport, and why he doesn't buy the defeatist clichés that people use to define our world and time.