Austin Bunn talks about his new story collection, The Brink, his latest script for a short film, In the Hollow, working in multiple mediums, and why some novels read like early drafts of screenplays.
Novelist Christy Crutchfield talks about her debut, How to Catch a Coyote, world building, inspiration, icky fiction, the role of mystery, and the marathon of novel writing
Andrew Ervin discusses his debut novel, Burning Down George Orwell’s House, social media and writing, and how video games can serve as a way to understand the post-human world.
Producer Jeff Sommerville, director Alfonso Gomez-Rejon, and the cast of Me and Earl and the Dying Girl discuss their movie that went to Sundance and beyond.
Sean Wilsey discusses his latest book of essays, More Curious, being David Foster Wallace’s neighbor, the healing power of the American road trip, and the difference between writing fiction and memoir.
Author Jeremy Hawkins discusses his debut novel, The Last Days of Video, the resurgence of the independent bookstore industry, and allowing nostalgia to have presence but not precedence in one’s life.
Author Kara Richardson Whitely discusses her new memoir, Gorge: My Journey Up Kilimanjaro at 300 Pounds, surviving food addiction and the trauma of being molested, and what comes next.
"Master fictioneer" Matthew Baker talks about his new middle grade novel, If You Find This, artists as tricksters, his favorite comic strips, and why children are still capable of believing in impossible things.
Author Viet Thanh Nguyen discusses his debut novel, The Sympathizer, new ways of looking at the Vietnam War, and how to blend important ideas with entertainment.
Author Daniel José Older talks about his new novel, Shadowshaper, noir influence in urban fantasy, gentrification, white privilege and the publishing industry, and why we need diverse books, now more than ever.