Lidia Yuknavitch discusses her latest book, The Small Backs of Children, war, art, the chaos of experience, and that photograph of the vulture stalking the dying child in the Sudan that won the Pulitzer Prize.
Novelist Bud Smith talks about his new book, F-250, working construction and metalworking, finding writing after his friend’s death, and crashing his car over and over again.
Author and translator Jay Rubin talks about his new novel, The Sun Gods, translating Haruki Murakami into English, and the internment of Japanese citizens during World War II.
Composer Frederic Rzewski talks about his masterpiece The People United Will Never Be Defeated, writing and playing classical music, and performing his music in an unusual venue—a fish market.
Novelist Joshua Cohen gives an interview, digital, about his new novel, paper, but also digital, about the Internet, digital, subsuming the novel, even his novel, best on paper, Book of Numbers.
Dan Torday talks about his novel, The Last Flight of Poxl West, the role of fear in fiction, the fabrication of facts in a memoir, and about being “constitutionally unoffendable.”
Austin Bunn talks about his new story collection, The Brink, his latest script for a short film, In the Hollow, working in multiple mediums, and why some novels read like early drafts of screenplays.
Novelist Christy Crutchfield talks about her debut, How to Catch a Coyote, world building, inspiration, icky fiction, the role of mystery, and the marathon of novel writing
Andrew Ervin discusses his debut novel, Burning Down George Orwell’s House, social media and writing, and how video games can serve as a way to understand the post-human world.
Producer Jeff Sommerville, director Alfonso Gomez-Rejon, and the cast of Me and Earl and the Dying Girl discuss their movie that went to Sundance and beyond.
Sean Wilsey discusses his latest book of essays, More Curious, being David Foster Wallace’s neighbor, the healing power of the American road trip, and the difference between writing fiction and memoir.