Feeling My Way Along a Metaphorical Ledge: A Conversation with Nancy Miller Gomez
There’s always so much happening around us—we can’t possibly take it all in—but certain things seem to be a beacon for my attention.
Features & Reviews
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The First Book: Uche Okonkwo
Going out of one's way to write what's currently trendy, just because it's trendy, can be counterproductive and take the pleasure out of writing.
“There has to be peril”: A Conversation with Andromeda Romano-Lax
Suspense, as a genre, can be a Trojan Horse. It’s a strong vehicle that you can hide things within [to] explore ideas about culture, gender, language, or place.
Unearthing the Past in The Safekeep
There is an elegant cadence to the prose, a slight twist in language to create a dynamic image of a simple nighttime scene. Two proud firs. The single star as the sky’s beauty mark.
“I’m not trying to break you”: A Conversation with Carvell Wallace
The events are doing the writing for me, and my job as a stylist is to simply get out of the way and let the story tell itself.
A Tight-Lipped Kind of Love: Jennifer Manthey’s The Fight
Through her terse yet piercing consideration of this school fight...Manthey asks us to look directly into the historically charged layers of the book’s eponymous fight.
Living in The In Between: A Conversation with Anna Mantzaris
When women are in partnerships—being a wife or a girlfriend of a partner—we take on all these different roles but they’re always changing. Our jobs are always changing and evolving.
Like A Mother: Joyelle McSweeney’s Death Styles
For the reader, it is the dedication before McSweeney’s first poem, “for my daughters,” that signals it is time to read.
“If You Give a Story Something, It Gives It Back:” A Conversation with Morgan Talty
A writer isn’t in control of what’s on the page, the story is. But if you give a story something, it gives it back.
Ephemera and Artifacts: A Conversation with Sejal Shah
So many stories are written for/about male heroes with a traditional, predictable plot. That’s not to say that I didn’t and don’t hope other people would read and be interested in these stories, but I wrote them first for myself.
The Slow Melting of Faces: A Conversation with Maria Bamford
You could write about this weird thing, and people who like to read will be down to find out about this different world. It’s a very different situation in a nightclub or a theater.
Gilded: Kimberly King Parsons’s We Were the Universe
The opening—that split person—might serve as a metaphor for a book told from the perspective of a person embroiled in grief: someone half in the past, trying, in different ways, to get out.