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Features & Reviews

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Personal to Universal: Robin Becker’s The Black Bear Inside Me

  • Risa Denenberg
  • October 26, 2018
Becker stands firmly on the shoulder of earlier lesbian-feminist poets while inhabiting and describing our current era of new challenges and old shibboleths.
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  • Rumpus Original

Learning to Co-Exist with Fear: A Conversation with Vivek Shraya

  • Cooper Lee Bombardier
  • October 26, 2018
Vivek Shraya discusses her new book, I'M AFRAID OF MEN.
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The Rumpus Mini-Interview Project #151: David Shields

  • Moshe Schulman
  • October 25, 2018
“Antidote to Trump? Whole book is an attempt to find one.”
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  • Queer Syllabus
  • Rumpus Original

The Queer Syllabus: Threshold by Joseph O. Legaspi

  • Chen Chen
  • October 25, 2018
In The Queer Syllabus, writers nominate works for a new canon of queer literature.
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The Rumpus Book Club Chat with Nicole Chung

  • The Rumpus Book Club
  • October 24, 2018
Nicole Chung discusses ALL YOU CAN EVER KNOW.
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Straddling the Divide: Meghan O’Gieblyn’s Interior States

  • Josef Kuhn
  • October 24, 2018
The entire collection is suffused by an aching awareness of absence and an obsession with the indelible markings of the past.
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Honest Work with Language: Talking with Berta García Faet

  • Kelsi Vanada
  • October 24, 2018
Berta García Faet talks with her translator about THE ELIGIBLE AGE.
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Rumpus Exclusive: An Excerpt from Marilla of Green Gables

  • Sarah McCoy
  • October 23, 2018
Marilla frowned. She was not versed in theatrics, nor did she wish to be.
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Writing in Earnest: Talking with Nana Kwame Adjei-Brenyah

  • S. Ferdowsi
  • October 22, 2018
Nana Kwame Adjei-Brenyah discusses FRIDAY BLACK.
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What to Read When Our Country Is Ruled by Sexual Predators

  • Marisa Crawford
  • October 19, 2018
A list of books by feminist writers who examine and dismantle rape culture.
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The Best American Short Stories 2018

  • The Rumpus
  • October 19, 2018
The Best American Short Stories 2018 is out now!
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New-Old, Old-New: Erica Dawson’s When Rap Spoke Straight to God

  • Jaimee Hills
  • October 19, 2018
Dawson plays with many tropes—light and dark, the spiritual vs. the corporeal—while questioning the everyday myths that surround us.
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