The Rumpus Book Club Chat with Jesse Ball
Jesse Ball discusses his new novel, Census, the inherent sinister nature of institutions, and creating imaginary authors.
Features & Reviews
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Tarnished, Shiny Exteriors: Kate Braverman’s A Good Day for Seppuku
With A Good Day for Seppuku, Braverman has written a collection of intense images and exacting language
It’s All about Positionality: Talking with Kayleb Rae Candrilli
Kayleb Rae Candrilli discusses their debut collection, What Runs Over, reclaiming memory through poetry, and the political act of being happy.
Ready to See Magic Everywhere: Talking with Rachel Lyon
Rachel Lyon discusses her debut novel, Self-Portrait with Boy, artistic communities, the quotidian nature of the supernatural, and hyper-gentrification.
Unsettled Terrain: Rummage by Ife-Chudeni A. Oputa
If shame works by convincing us that we are bad, by pinning us into a definition of badness, then the poems in Rummage resist by refusing to be pinned at all.
Motivation and Humanity: A Conversation with Carrie La Seur
Carrie La Seur discusses her new novel, The Weight of an Infinite Sky, standing up for what you know is right, and the writers who inspire her.
The Rumpus Mini-Interview Project #127: Tara Skurtu
"A poem is not a perfect puzzle, yet it is precisely a perfect puzzle."
Rumpus Exclusive: An Excerpt from Julia Stoops’s Parts Per Million
Kashan stares out at the crowd. “Saddam was hard. This is also hard.”
The Journey toward Elsewhere: Natalia Sylvester’s Everyone Knows You Go Home
Despite its supernatural beginning, Everyone Knows You Go Home is grounded in the kind of gritty realism lived by every immigrant in this country.
Playing Whack-a-Mole: Talking with Leslie Pietrzyk
Leslie Pietrzyk discusses her new novel, Silver Girl, writing a nonlinear narrative, and depicting female friendships in new ways.
Just Doing It: A Conversation with Daniel Ortberg
Mallory Ortberg discusses their new book, The Merry Spinster: Tales of Everyday Horror, what it means to be a self-taught writer, and questioning gender.
An Invisible World: Tomas Tranströmer’s The Half-Finished Heaven: Selected Poems (Expanded Edition)
The poem, [Tranströmer] seems to say, doesn’t have to carry every burden of its poet’s heart. It doesn’t need to speak out loud, either.