A crucial part of what makes experimental writing fresh is the way sight works with what is said, whether the material is performed or read in silence.
Poet and novelist Kim Fu discusses her new novel, The Lost Girls of Camp Forevermore, how poetry impacts her fiction, and the expectations that accompany a book about lost children.
[T]his is a book about the ways in which even our most intimate relationships can slip beyond our control, fracturing along barely perceptible fault lines.