Gabrielle Bell discusses her forthcoming graphic memoir, Everything Is Flammable, what it was like to mine her own life for subject matter, and how anxiety affects her work.
Tamiko Nimura talks about the influence of history, memory, and silence on her work; creating a private MFA for herself; and writing a generational memoir.
We must ask ourselves: who stands in the shadows of our national persona, both historically and in the nation’s literature? Woods raises the question, and her work points toward an answer.
Alana Massey discusses her debut collection, All the Lives I Want, the best piece of writing advice she's ever received, and acknowledging the work that women do.
Instead of sorting through all the crazy news stories this weekend, we suggest taking a break with some unreliable narrators in a few far more worthwhile novels.
In hindsight, it’s sometimes difficult not to read more than a bit of sadomasochism into Hopkins’s inner passions and the ways in which he resisted them.
Picture this: a curbside juggler with a rose between his teeth. That’s the opening image of Susan DeFreitas’s powerful debut novel, Hot Season. Vivid (and sometimes strange) images strike again…
Mohsin Hamid discusses his new novel, Exit West, hope in fiction as a form of resistance, the necessity of learning to accept social change, and how much America and Pakistan have come to resemble each other.
Chen Chen discusses his new collection When I Grow Up I Want to Be a List of Further Possibilities, playing the game white supremacy has set up, and if God is trying and failing to be a cool dad.
With each word, I found myself thinking of my own grandmother’s journey, escaping war to America with no money, no education, and six children, the pain of this experience inevitably hardening the whole family.