I have known the poet Elizabeth Metzger since kindergarten—and ever since I have known her, she has been a poet. When we played the The Game of Life, a board…
Narratives like this one complicate and humanize America’s simplistic view of Arab cultures, toppling the flimsy idea that Arab people are intractably Other.
Gabrielle Bell discusses her forthcoming graphic memoir, Everything Is Flammable, what it was like to mine her own life for subject matter, and how anxiety affects her work.
Tamiko Nimura talks about the influence of history, memory, and silence on her work; creating a private MFA for herself; and writing a generational memoir.
We must ask ourselves: who stands in the shadows of our national persona, both historically and in the nation’s literature? Woods raises the question, and her work points toward an answer.
Alana Massey discusses her debut collection, All the Lives I Want, the best piece of writing advice she's ever received, and acknowledging the work that women do.
Instead of sorting through all the crazy news stories this weekend, we suggest taking a break with some unreliable narrators in a few far more worthwhile novels.
In hindsight, it’s sometimes difficult not to read more than a bit of sadomasochism into Hopkins’s inner passions and the ways in which he resisted them.