Features & Reviews
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My Voice Doesn’t Fall Neatly into a Category: A Conversation with Desiree Akhavan
I think everyone changes. I feel a lot more steadfast in who I am and what I make.
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How to Win a Gunfight: Bret Anthony Johnston’s We Burn Daylight
The teens in this book seem to know something the adults don’t: that if they are going to have any kind of future, they must create it themselves.
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Living in a Nowhere Space: A Conversation with Olivia Gatwood
Tech perpetuates ideas we’ve already had about women, but it just blows them out of proportion to kind of impossible degrees.
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Reversing the Apocalypse: A Review of Hussain Ahmed’s Blue Exodus
…the world of the dead, the living, and the unborn are all in a cycle. Human materiality is indestructible.
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The Complex Heritage of Assimilation: A Conversation with Randy Ribay
Our collective individual efforts impact in some way, the community. It’s important for me to not pass judgment because we are all figuring it out.
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The Eternal Grind: Nick Rees Gardner’s Delinquents and Other Escape Attempts
A clever manipulator of time, Gardner doesn’t rely on the convenience of thirst to move his characters through the page.
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“I Wanted the Magic Bullet”: A Conversation with Jessica Hoppe
…that’s what’s toxic: the belief that I’m not enough. Substances are, in general, neutral.
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“I thought my sorrow could transform me”: A Conversation with Megan Pinto
Visually, prose tells us that we’re moving through time, through narrative or rhetoric, and visually, poetry tells us we’re moving up and down through lyric, feeling.
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“I Am in Love With Moons”: My Lesbian Novel and To After That (TOAF) by Renee Gladman
But this is love: crying into your lover’s face until it becomes so ridiculous, that the event becomes absolutely precious.
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We Live in History: A Conversation with Nicolás Medina Mora
Who among us can say that the life they’re leading is the product of their choices and not a staging of the script they were handed at birth?
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Red as in: Dawn Lundy Martin’s Instructions for the Lovers
Perhaps like a phoenix, Martin maintains such a commanding presence throughout the book because she has endured the sacrificial fire of being a poet, the necessary self-immolation.
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The Persistence of Enchantment: A Conversation with Sofia Samatar
To me, the difference between invisibility and opacity is the difference between being misread and being granted a quality of privacy that is a fundamental part of being a human among other humans.